A few weeks ago, I bought my friend’s kiln. It is larger than my kilns and I am excited to be able to do larger fused glass pieces. She has not been doing any glass work for several years now and -waitaminute- she gave me her studio supply of sheet glass and tools, too.
So. Much. Glass. It took 3 carloads and a week to unpack the goods. I was like this ?every day.
I have fused small pieces before, but now with a larger kiln, I have so much more space to melt. I have been spending lots of time on my torch creating unique components to go with the sheet glass, like the jellyfish pictured above.
But first I have been doing small tests to get to know my new kiln and glass. Here are a few of the experiments.
Fusing is often a two-part process. First: the design, cutting the glass, then into the kiln for a full fuse. The full fuse takes 8-12 hours in the kiln and the glass emerges flat with smooth edges. Once that is done, the glass may hang in a window or on a wall or be used as a tile.
If the end result is to be a shape, then it goes into the kiln a second (or third) time to form. That firing takes about as long as the first, depending on the shape, thickness of glass, and size.
These glass tiles are ‘phase 1’ of fusing. The easy flat part. ? I will probably fire them again into a bowl, nightlight, etc. Then again, they are fun to have on my bench so I can study them — what works, what doesn’t.
I am very excited about exploring ‘functional art’ — pieces such as lamps, nightlights, cabinet pulls, dishes, etc.
Meanwhile, back at the torch
In addition to fusing experiments, I have been busy restocking gallery spaces. Basically doing everything but listing new items here on my website. eeek! I will have some new works hitting the virtual shelves soon. I will post here in the blog when new items are in my website shop.
To be notified of new blog posts, sign up on the right sidebar under “Subscribe to Blog via Email” to be notified of new blog posts.